Whenever I meet photo students and new assistants, they will sometimes ask me what it is that they need to know to get the good assisting gigs with all the great photographers. In turn, I will ask them why any photographer should hire them at all. Most students will say something like they [...]
As photographers, we might say we take photographs to earn a living… to make money. Others might say that we communicate or illustrate our client’s product in a way they want it presented. And, still other shooters may argue that photography is to document an event, news, or some special occasion.
But, what [...]
Well, shoot! I’ve been crazy busy. Hardly enough time to think let alone get caught up, here, on the blog. My apologies for leaving you hanging. Being extra busy the last couple months has lead to some scheduling conflicts when booking shoots, so I thought this was a good opportunity to talk about [...]
Recently, I’ve been working with an animal photographer, shooting cats and dogs. Mostly, we’ve been shooting auditions for upcoming jobs, but we’ve also done a few advertising and PR shoots involving lots of smaller dogs. We also shot with a Great Dane, and that was cool. Working with animals can be a lot of fun, but doing so comes with a new set of rules, no matter what type of animal that’s on-set.
The results from PDN’s 2010 Photo Assistant’s Survey were released today. You can see the article here.
a bi-weekly column for photo assistants, and other production crew, to make their complaints known about the industry.
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Photographically Speaking…
"Most people stiffen with self-consciousness when they pose for a photograph. Lighting and fine camera equipment are useless if the photographer cannot make them drop the mask, at least for a moment, so he can capture on his film their real, undistorted personality and character. "~Phillippe Halsman
Photo 101
Elvis: Elvis is the affectionate description given to gold/white fabric reflectors, especially on overheads, as cited by American Grip.








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