How to Strike a Photo Set

Oooops!

Photo courtesy of Flashlight Photo Rental

Usually, when you hear the magic words, “That’s a wrap,” the assistant is eager to strike the set and get all the gear packed up. It’s probably been a long day and everyone is tired. Maybe there is an after party or a flight to catch. But, if you get any result after a strike, like the photo here, you are in too much of a hurry and not using your head. If you are a brand new assistant and it’s your first time on set, there are a few mulligans available for you. But if you’ve been around for a spell, stuff like this is kind of embarrassing… for you. The bottom line is to use some common sense. Safety and planning doesn’t end just because the shoot is over. In fact, the assistant is probably going to be one of the hardest working people on set after the strobes get powered down. Keep your cool and work smart and efficiently.

I usually start striking the set by powering down all the lighting. I will usually leave the camera and computer stuff for the photographer or digital tech, unless the photographer instructs me otherwise. They will probably be doing preliminary edits with the client anyway, so just stay out of their way. Just make sure the camera is attended to and safe from hitting the floor.

After powering down the strobes, I will pull as many power cords as possible. Just get them out of the way so you, or anyone else, can’t trip over them. Coil them properly, and stage them for packing. Coil up the head extensions and hang them on the stand. Remove any flags, V-flats, nets, and other grip that is taking up space. Just get all the cumbersome stuff off the set. Then, lower the light-stand stanchions and move all the light heads, on their stands, off to the side and out of the way. Leave the dirt on the stands, in case they get bumped. Remove power-packs, pocket-wizards, and other items and pack them away if you can. [Read more...]

Interview with Chad Holder, Creator of Padport

Padport is in the iTunes App Store

I’ve been hearing for some time now about Padport. A few friends of mine knew who was developing the app (they wouldn’t elaborate) but, kept it very hush-hush, only to say that it was a portfolio app for the iPad, and that it was going to be all the rage. So, when I heard about the release of PadPort in the iTunes App Store last Wednesday afternoon, I decided I would get to the bottom of it. I made a couple calls and found out that a photography colleague of mine, here in Minneapolis, was the brain-child of Padport. I gave him a call and he agreed to this interview.

APhotoAssistant: Today, I’m speaking today with Chad Holder, a successful commercial advertising photographer from Minneapolis, and the creator of Padport. First thing, Chad, please tell us just exactly what Padport is and why did you decide to create it?

Chad Holder: PADPORT is a self contained, customizable portfolio for the iPad. It shows your images, your videos, and your contact information. It has an ABOUT  section where you can tell the viewer a little about yourself. We also tried to think beyond the photographer and planned for Models, Art directors, Stylists, Reps, Illustrators, Architects, Cabinet makers, Jewelry makers, really anyone who wants to show their works through a digital portfolio. [Read more...]

A Photo Assistant’s Gaff Tape Dispenser

My internet video debut!

Gaff Tape Dispenser for Your Grip Kit from A Photo Assistant on Vimeo.

Photo Assistants And Renting Gear: Why Gear Rental Shops Are Your Best Friend

The relationship between the photo assistant, and the photo rental store can, and should be, a special one. Photo assistants are a very key element to the rental store getting new and additional business from photographers. And, when a photographer from out of town calls to book you and then asks if you know a good place to get lighting and grip rentals, your value increases ten-fold when you can handle their rental needs. As a photo assistant, many times you will be asked to pick-up lighting, grip, and camera rentals from rental houses. Renting gear is advantageous when flying or shooting on-location where power is limited or unavailable, since most studios and photographers own strobe lighting with alternate-current (AC). Many rental shops will have battery-powered packs (DC), such as Profoto 7A or 7B, for exactly those location needs.

[Read more...]

Stills to Video Workshop for Photographers

DSLR Video Workshop

There is widespread buzz about digital SLR cameras that shoot HD video. Your clients may even already be requesting you to shoot video clips in addition to stills while on-set. What do you do?

Find out how to successfully capture video and audio, import and edit, export and distribute full HD video in this introductory workshop on moving from stills into motion.

This session will cover:

  • DSLR pros and cons
  • Necessary hardware and software
  • The camera setup
  • Successful audio capture
  • Storage and conversion of footage
  • Importing and editing
  • Output and delivery
  • External resources

Session starts at 6:30pm and will go through 9:00pm with time afterwards for questions, networking and drinks. Light refreshments and beverages will be served.

Session Details

When: May 18th, 2010. 6:30pm

Where: Studio 1414, MPLS, MN

Who: Photographers. Students. You.

Cost: $95 per person

Sign up: HERE