How-to use a C-Stand

The C-stand, or century stand, is the work-horse of both the photo and film industry. It is also called a gobo stand, since it’s primarily used to hold light modifying devices, such as flags, silks, screens, and cookies. The C-stand looks easy to use, and it is, but there is more to it than meets the eye. Being very familiar with its proper and practical use will assist you a great deal as a photo assistant.

Many photographers use a c-stand to set lights, both strobes and hot (continuous) lights. I, too, like to use c-stands to set lights, especially when there are many lights, modifiers, and cords in use on set. A C-stand is much heavier, and more stable, than many traditional fold-up light stands. Setting a sand bag on the c-stand is much easier also.

The unique element which really separates c-stands from regular light stands are the use of grip heads, or gobo heads, which permit the use an extension-arm (sometimes referred to as a gobo-arm or boom-arm in still photography). The heads have finger notches which will accept at least three different sizes of studs, pins, and adapters. The knuckles tighten down the head, in almost any configuration, allowing you to set your light head or flag in almost any position.

The C-stand is a great tool for the photographer. It’s relatively easy to use, but still complex in its many applications for use. There are many important aspects to correctly using a C-stand, and if you’re inexperienced, you should never take safety for granted when it comes to using a C-stand. When you walk into a studio that uses C-stands, ask the 1st assistant or photographer to show you how to use the C-stand on the set. It will only take a few moments, and will quite possibly avert an accident. I can guarantee that a quick lesson will definitely help you avoid second-guessing yourself as you set a light on an extension-arm.

Here’s a great tutorial.